Professor Maurice Stevens
has a PHD from the University of California’s History of Consciousness Department, the same department produced students like Huey P. Newton & acted as a home to professors like Angela Davis. He’s an associate professor of Department of Comparative Studies in Humanities at Ohio State University and adjunct faculty at The Pacifica Graduate Institute. His interest include Black Studies and Critical Theory in gender, race, identity, sexuality, and trauma. His work often highlights the interconnectedness of social relations and the history making of marginalized people as subjects constrained by dominate groups.
Heavy Faculty links you to Maurice Stevens’ complete lecture, “Photobiologics and Our Threadbare Social: Imagining a Critical Theory of Trauma.” It focuses on three excerpts from Dr. Stevens’ book, “Troubling Beginnings: Trans(per)forming African American History and Identity (Studies in African American History and Culture).” It was given at The Africana Studies Spring Lecture Series at John Hopkins University.
The Break Down…
Part 1: The Clinic
Stevens theorizes on his time working in a progressive treatment center for psychotic and schizophrenic adolescents in San Fransisco, California. There he witnesses the traumagenic nature of institutionalized psychic colonization when the centers progressive staff and interns react to a symptomatic Post Traumatic Stress Disorder (PTSD) patient that is young, Black, big and male.
Part 2: The Tortured Body in Legal Discourse
Stevens theorizes the Bush Administration drew upon highly racialized institutional forms already existing within the United States and exported a uniquely American brand of sexualized racial terror to Abu Ghraib prison. He compares the photos of smiling torturers and anguished inmates at Abu Ghraib to the lynching images of Black men and women surrounded by smiling towns people of the south. Stevens discusses the current and historical contortion of legal discourse as a means to bestow exception status onto marginalized people and as a tool to exposed them for mistreatment and torture. Finally he cites Elaine Scarry on why states torture when they are at their weakest.
Part 3: Popular Visual Culture
In still moving pictures Dr. Stevens comments on the documentary style photos that emerged in the coverage of hurricane Katrina and how they were refocused and encoded into the American narrative of racialized poverty and absolute difference from the national identity. He highlights how the careful curation of those images played on preexisting racialized beliefs and exacerbated efforts to rescue Black storm survivors.
-@mbi